THE SOLAR HERESIES

by JUDGE SMITH

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1.
1) PROLOGIA I’ve always been a man of rhyme, My verses light and humorous stuff, But for the task I have this time, That isn’t really good enough. However, what’s inside my head Demands some form of poetry, And so I’ll try ‘vers libre’ instead To write my Eschatology. And if my style is none too sound, I only have myself to blame, For reading too much Whitman, Pound, And Gerard Manley what’s-his-name. PART ONE Life, All Life Has attributes Of which we are not told. But few believe these things. ‘Fairy-stories’, they say, ‘Mad fantasy’, they say. And we that hold these truths, They say, Are sad, deluded fools; Naive, and worse, We threaten the consensus. Heretics. First Heresy: Life, All Life, Survives forever. Nothing dies. A body is dropped, The individual survives. Cats, kings, criminals and cockroaches, Cheetahs, chipmunks And Chartered Accountants, Every bird since dinosaurs downsized And learned to sing, Every fish that ever flashed a fin, Billions cubed of creepy crawlies, Protozoa and bacteria, All survive. And what is more, All plants survive, All trees, all herbs, All weeds and flowers; Coconut and cactus, Crocus and cauliflower, The trillions of vegetable entities In every acre of forest slash-and-burn. All survive. Nothing dies. And where do they survive? Where does this vast, baggy Biosphere survive When fur and feathers, Foliage, beards and teeth Return to dust? On another waveband of our Universe, A different frequency Of the Here and Now, And thus invisible, intangible. Second Heresy: Life, All Life, Holds within it The potential to develop, To become more itself, A bigger, better, stronger, wiser self; The potential to complexify, To self-organise, To reach its own particular Spiritual perfection. However primitive, However lowly, the lifeform, It holds, within it, This potential. And these Heresies Are not the Speculation That I promised you. This is just the way things really are. And if this seems impossible, Bizarre, ridiculous, to you, That is not my problem. My job is to speak true, To dance my dance. What you make of it Is your own concern.
2.
Part Two 04:03
2) PART TWO Now I Speculate. Let us say that it began The way we are told it began; The Singularity, The inflating Zero Point, The cataclysm of creation. And then, in order, The numberless vortices of cosmic fire, The condensing, the solidifying, The cooling, The countless millennia of rain, The warm seas, The rich chemical soup. And then, Let us say that it began The way we are told it began: The random, undirected meeting, In one small eddy, Beneath the bubbling broth, Of rare amino acids. And then The lucky lightning-strike, The million-to-one Promethean shot, The superheat, the fusing, The mutating strings of molecules. And so it happens: It’s alive, The cell, the tiny fragile form, The amoebic blob, Living, dividing, inexorably spreading. Here in the Proterozoic, The game has begun. Those spawning blobs, ‘Cell One’ and all her billion children, Living and dying, Living and dying, But not exactly dying, As their tiny, inner sparks Move across the not-so-Great Divide, In a glowing cloud of living Energy, Here, and yet not-here, Close, and yet out-of-sight. Tiny blob souls, And thus inchoate, amorphous, disorganised, But developing, By infinitesimal degrees, Their potential To become more themselves, To complexify, to self-organise, To reach their own particular Spiritual perfection. (And a perfected Protozoan, Must be something to see.)
3.
Part Three 05:53
3) PART THREE Let us agree that Evolution Happens the way We are told it happens. There is no need for us To pick a fight with Darwin. But Intelligences older than our own Have made it clear That every step along That steep and rocky path Is preceded and precipitated By a nudge, A spiritual, psychic nudge That comes from This Universe Next Door. For almost three thousand Million years, Or eighty-five percent of all the time That has elapsed since Life began, Our Protozoan blobs Have been the only game in town, Until the Universe Next Door Finally achieves sufficient consciousness To reach down, To reach though, And nudge; To give the tiny impulse That precipitates A small and successful mutation. And slowly, Oh, so slowly, The Dance of Evolution Begins its stately measure. The Evolution Two-Step, Building in tempo, As ever-more sophisticated Beasts and plants, And critters of all sorts, Strut their stuff For one short moment On the dance floor, And then lie down to die. But not exactly die, Just move, With individuality And intelligence intact, To join the game In the Universe Next Door. Increasingly sophisticated, Increasingly intelligent, This hypernet of souls complexifies, Self-organises, Increasingly achieves perfection. It is conscious, It is aware of being aware. It has purpose, and power, And it is active in support of life. It finds that it can reach down, Reach through, And help the Dance along, Which reaches its full tempo now, Pulsating incessantly for eons Down the time-line. And we can fast-forward too, Till monkeys become monkey-men, And monkey-men become like us. And every human being That ever lived and died Adds their intelligence and memories, The Light and the Dark Of individual personality, To this Hypernet, To this Universe Next Door.
4.
Part Four 05:10
4) PART FOUR How is it now, The Spirit Universe? This phenomenon Born out of a fecund planet? Awesome. A universe of Voices, A universe of individuals, Some close, some far, Some loud, some soft, Some good, some not-so-good, We hear them in our Inner Ear. A universe of Voices, A universe of Influences, Some strong, some weak, Some good, some not-so-good, We feel them in our Inner Heart. And closer to the central radiance There shine out Vast Intelligences, Benevolent Powers, Limitless reservoirs of Grace, Extravagances of Blessings, Their Hands thrust down, Thrust through, To mould, to inspire, to heal. Miracles. And beyond them, The white-hot core Of Perfected Being, The Great Sun That powers discarnate And incarnate alike. What can we call this Light, This giant, perfect Power, Except ‘God’? Our planet has given birth to God. Deus Natus Est Jubilate!
5.
Part Five 04:26
5) PART FIVE I speculate further. How many galaxies are there? Numberless. How many stars in each galaxy? Numberless. And, spun about those stars, How many planets That have undergone, As C. S. Lewis says, ‘The sweet humiliations Of organic life’? Thousands? Millions? Numberless. And for each and every living sphere, However strange its lifeforms, A parallel Universe of Spirit Will have grown. And perhaps each living planet Has generated its own God. And perhaps Worlds older than our own Have Gods greater than our own. Dei Nati Sunt Dei Nati Sunt Jubilate!

about

This is one of the two extended pieces that make up the CD 'The Solar Heresies & The Lunar Sequence'. Which are offered here on Bandcamp as two separate albums.

The text of ‘The Solar Heresies’ was written, in the space of an hour, in February 2015, at Udaipur, Rajasthan, on the shore of Lake Pichola, as women did their laundry on the little dhobi ghat below our window.

This was, for me, a very spontaneous and unplanned bit of writing, and once it was done, I thought of it as a poem, or a metaphysical tract; very important to me, but with no musical application whatsoever.

However, by 2018 I had completed writing ‘The Lunar Sequence’, the seventeen minute piece which now forms the ‘junior partner’, or ‘B’ side, of this album, and I realised that ‘The Solar Heresies’ could also be set to music in a similar way. Subsequently, I wrote music for the text making almost no revisions or alterations to the original wording.

It is a mystical work, but, as with almost all my writing, the overall mood is light-hearted (the Tragic Muse has never been able to gain much traction with me). However, I should make it clear that there are some very serious metaphysical propositions being offered here.

The rather over-excited utterances about ‘God’ in the last section of the piece are perhaps better understood as referring to ‘Operative Providence’, a phrase from the poet Charles Williams which describes the ‘supernatural-in-operation’ as it affects us here on Earth. This is the spiritual entity that answers our prayers and influences our lives. I hold conventionally agnostic views about the existence or otherwise of an overarching, universal Creator God, but I certainly believe in a Planetary God and its transcendent, Godlike Influence on human existence.

As to the origins of this pre-eminent spiritual phenomenon, that is the ‘Speculation’ in the title. I feel sure that, at some point in the history of metaphysical theorising, similar ideas will have been promulgated before, but I have been unable to find reference to them. So I do not claim originality, but simply plead ignorance of my elders and betters.

This piece could not have come into existence in its present form without the generous and brilliant contribution of Ricardo Odriozola of the Griegakademiet, the music conservatory of the University of Bergen, Norway. A supporter and champion of my work, and that of many other contemporary composers, he created sophisticated and beautiful orchestral arrangements of the thirty-two short musical fragments that make up the piece, and organised, supervised and produced the recording sessions at which eminent performers from the conservatory faculty and from the Bergen
Philharmonic Orchestra played my music. I cannot overstate my gratitude to this great musician, and to the international team of soloists that he assembled and conducted.

credits

released December 22, 2020

RICARDO ODRIOZOLA ...CONDUCTOR, VIOLIN, VIOLA, ...............................................KEYBOARDS, MANDOLIN, OCARINA
ILENE CHANON ................HORN
JOHN EHDE ......................CELLO
NOA EHDE .........................PERCUSSION
JAMES LASSEN ................BASSOON
DIEGO LUCCHESI ...........CLARINET / BASS CLARINET
PÉTER PALOTAI ................DOUBLE BASS
EINAR RØTTINGEN ..........PIANO
EIVIND SANDGRIND ........FLUTE / PICCOLO
HEGE SELLEVÅG .............OBOE / COR ANGLAIS
JUDGE SMITH....................NARRATION VOCALS
DAVIDE BERTOLINI ..........RECORDING ENGINEER

I am also very grateful to GRAHAM DENT who devised two jazz piano solos (featured at the end of Parts One and Five) which were transcribed by Ricardo Odriozola and then performed by Einar Røttingen.

And great kudos to C F & M who sowed the original seeds of the poem.

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JUDGE SMITH Glastonbury, UK

Judge Smith co-founded the band Van der Graaf Generator in 1967 with Peter Hammill, & has since been involved in many music projects as writer, composer or performer. He has written stage musicals, classical & rock libretti, songs for television & a book on Life after Death; directed a prize-winning short film, & released fourteen CDs & two DVDs. He was born in 1948 & lives near Glastonbury, UK. ... more

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