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OLD MAN IN A HURRY

by JUDGE SMITH

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1.
OLD MAN IN A HURRY See the old man. What’s he doing? Just what end is he pursuing? See him rush and see him scurry, See the old man in a hurry. See the old man look defeated, So much work still uncompleted. See the old man all down-hearted, So much work he’s still not started. See him stress the way he oughtn’t. It’s not as if his work’s important. But still he’ll fret and still he’ll worry, See the old man in a hurry.
2.
Oh, I Know 03:43
OH, I KNOW The snooker-ball swings in the sock, I’ve fashioned a shiv from a spoon, I’ve put superglue in the lock, The fun will be kicking-off soon. Oh, I know, but I don’t care. You care, but you don’t know. I go, but I don’t like. You’d like, but you don’t go. My new book will settle his hash, My pencil is worn to a stub, He’ll get no more government cash, He’ll have to resign from the club. Oh, I know, but I don’t care. You care, but you don’t know. I go, but I don’t like. You’d like, but you don’t go. I’m ready when push comes to shove, I’ve climbed a convenient tree, I’ll drop on his head from above, I’ll eat him before he eats me. Oh, I know, but I don’t care. You care, but you don’t know. I go, but I don’t like. You’d like, but you don’t go. I show, but I don’t sell. It’s hell when you don’t show.
3.
Four Pails 04:11
FOUR PAILS Four pails of water, and a bagful of salts... Four pails of water, and a bagful of salts... That is all we are, That is all a man comprises, Chemicals alone, With no spirit, soul or ghost. Nothing so bizarre! And no amount of faith disguises, What is true is what we fear the most. Nothing can survive, save the things Men leave behind them. Any other case would be really too absurd! If thoughts remained alive, Surely modern science could find them? But no; the soul is nothing but a word. All the wonders Man achieves Emerge from cerebral tissue. Chemical reactions’ ebb and surge Form that thing that is you. It’s a sad philosophy, But better sad than wrong. Face the truth instead; When you’re dead, you’re dead, When you’re gone, you’re gone. Now she’s gone, she’s gone. Four pails of water, and a bagful of salts… That is all she was; Everything she represented... And that sounds as mad As saying she will never die. Fools will clutch at straws, But truth must not be circumvented. ‘As the tree falls, so must that tree lie.’ Now that sounds so odd, But once I would have preached it brightly. Now questions appear I rationally can’t ignore. Nothingness or God, Which of them seems more unlikely? Once I could have answered clearly, Now I only think I’m nearly sure.
4.
DROP ME A LINE Standing by my bed at midnight Wish I’d not agreed we wouldn’t phone. I believed you when you told me You just need more space, and time alone. You said I should keep you posted So every day I email and I text. I’ve sent letters, I’ve sent postcards, Nothing from you, one day to the next. Drop me a line. Drop me a line. Drop me a line. Drop me a line. Standing on the deck at midnight In despair I look back at the shore. I have reached the sad conclusion I can’t live without you anymore. But soon as I’ve jumped overboard And hear the boat is leaving me behind, Death don’t seem quite so attractive. Is it too late to change my mind? Throw me a line. Throw me a line. Throw me a line. Throw me a line. Standing on the stage at midnight Wish I’d not agreed to play these shows. ‘Been so long since I sung this song Can’t remember how the next verse goes. Friend of mine is out in front, So I come off the mic, Kneel down and shout, ‘Hey, man, you know my songs backwards. Do you think that you could help me out?’ Give me the line. Give me the line. Give me the line. Give me the line.
5.
NEITHER HERE NOR THERE I’m in the Day Room In the high-backed hygienic chair. Someone wants to ask me questions. He ticks a box and reads them From a clipboard questionnaire. “What is your name?”, he says. I’d like to say, “I neither know nor care”. But why should they know that, So instead I say “My name, young man, Is neither here nor there.” I’m in the Day Room In the high-backed hygienic chair. This nice couple come to see me. She calls me ‘Dad’, I seem to recognise them from somewhere. They think I’m sleeping, but I hear her say, “He’s not all there...” The man agrees, “You’re right, He’s not all here...” It’s true, of course, I’m neither here nor there. There’s a box somewhere With all my memories, And all of them are Bright and fresh and clean. And one day soon, I’ll take them out And I’ll arrange them, And play them back And see what they all mean. I’m in the Day Room In the high-backed hygienic chair. The walls grow thin and fall away And there’s a river and, beyond, There is a landscape broad and fair. And, on the far shore, Friends that wait for me. They wait because they care. I try to cross but only get halfway. I’m in between, I’m neither here nor there. My friends have got the box with all my memories. And all of them are Bright and fresh and clean And one day soon, I’ll take them out and I’ll arrange them And play them back And see what they all mean. But for now, I’m in between Of both worlds I am partially aware. I’m in transit. I’m neither here nor there.
6.
BONGO COSH BOYS Let me take you to dine At the Bongo Club Where the music’s so fine. They’ll be playing our song And we’ll take my ‘Edmundo Ross’ bongos along. And while we are eating My bongos are beating With love for you. Hold my bongos, baby, while I dance. Hold my bongos, baby, while I dance... So give them a hand. ‘The Bongo Cosh Boys’ Are a marvelous band. They may look rather rough But when it comes to Mambo, The Boys know their stuff. Their trumpets are sounding My bongos are pounding With love for you. Hold my bongos, baby, while I dance. Hold my bongos, baby, while I dance... Bongo! Bongo! We are the Boys The Boys from the Bongo. Boys of the Bongo Cosh!... Boys of the Bongo Cosh!...
7.
Barcarolle 06:33
BARCAROLLE Floating about on the tide, Drifting and dreaming, with you by my side. Floating about on the bay, Everything’s fine so there’s nothing to say. Heads full of nothing float better that way. Drifting about in the boat. Let go the rudder, Who cares where we float. Drifting about on the sea, Makes the world seem Pretty perfect to me. Silent in sunlight, you seem to agree. Underneath the waves It’s cold and getting colder, Rocks, dead fish and mud They’re old and getting older Teeny-weeny shells And bones in combination Teeth and scales and spines The claws of dead crustaceans... The setting sun’s sinking down low If we had a yard-arm, it would be below, So pour us a bloody great gin The ice and the tonic can’t wait to jump in. The lemon is smiling his broad yellow grin. That’s when we fell over-board, Missing those lifebelts we couldn’t afford. Drowning’s quite peaceful and slow, There must be dozens of worse ways to go. Now there’s an octopus eating my toe. Underneath the waves It’s cold and getting colder, Rocks, dead fish and mud They’re old and getting older Teeny-weeny shells And bones in combination Teeth and scales and spines The claws of dead crustaceans... Floating about on a cloud, The star-fish and squid Are a sociable crowd. The cod can be grumpy it’s true, But a choir of small shellfish Are singing for you. If this isn’t Heaven, I’m sure it will do. Weeberlee weeberlee woo woo woo… Weeberlee weeberlee woo… That’s the little shellfish singing…
8.
Mad Daggers 02:35
MAD DAGGERS Mad Daggers at rehearsal, Mad Daggers at the tiffin hour, Siege engines have been sent Against the walls, The parking lot is throbbing With a horrid power. The sequestered women Require some entertainment. We pay the policeman and he goes away. Mad Daggers Have not played this gig before, The Non-Commissioned Officers Make holiday. A rumour that the rations will be cut Has spread like ink In this tight hive of the fever-ville, And will God save our wild knives? He might of course, But no one thinks he really will. Mad Daggers at the party, Bad staggers at the church parade, And someone screaming in a secret place “Look, Mummy, look! See the clever thing I’ve made!”
9.
Cooee 05:12
COOEE Cooee... Cooee... I hear voices call, I look down the hall, There’s no-one at all I can see. Cooee... Cooee... I climb the stair, There’s nobody there, No-one anywhere, a mystery. Cooee... Cooee... Somehow I know that these Voices are calling to me. Cooee... Cooee... Oh how I’ve tried To find where they hide, But they don’t decide to be found. Cooee... Cooee... Sometimes the cry Seems to come from the sky Sometimes seems to rise from the ground. Cooee... Cooee... I’ve never heard such an eerie and troubling sound. Are they imaginary? Are they a trick of my mind? Is this what you hear when your sanity Starts to unwind? Cooee... Cooee... That seems so near Just an inch from my ear But there’s nobody here to be seen. Cooee... Cooee... The voices still come, They hum and they strum, Insistent, but somehow serene. Cooee... Cooee... Are they from this world, the next world, Or somewhere between? Show yourselves! You must show yourselves! Show yourselves now!... Show yourselves! You must show yourselves! Show yourselves now!... Here we are. Now you see. And now I understand... Here we are. Now you see. And now I understand...
10.
DO THE ROCK’N’ROLL I only have an elderly white man’s voice.... I only have an elderly white man’s soul.... I have to use the things I’ve got, Can’t play at being what I’m not, But welcome to The Land That Time Forgot Where we still try to do the Rock’n’Roll. In San Francisco I heard strange music As the Summer of Love Spiralled out of control. But I thought, ‘Here is a kind of art In which I could well play a part.’ When I came home, I vowed to start To try to do the Rock’n’Roll. My old reel-to-reel tapes will no longer play Their music has decayed to toxic dust. My cheap, disposable cassettes Still work okay, As does my cheap, disposable intellect, If only just. My catalogue has been described as quirky, And my music isn’t strident on the whole. And some of my work is slow and light, With no guitars or drums in sight, But I think that it sounds alright, To me it all just sounds like Rock’n’Roll. These old, tattered chord sheets Are meaningless. The songs are lost, I can’t remember when or where. Too long ago, And my memory’s not the best. The past is another country, It’s Red List, not safe to travel there. These days, I find the work Takes more out of me, As time takes its inevitable toll. And perhaps I’ve never done it well, ‘Cause, Heaven knows, it doesn’t sell, But somehow I still feel compelled To try to do the Rock’n’Roll.

about

JUDGE SMITH - OLD MAN IN A HURRY

This album of songs, by some counts my sixteenth as a solo or collaborative artist, contains one or two songs dating back to the 1970s, and others on which the ink is barely dry.

So once again I express my appreciation of the fine musicians who have helped me to bring an album to a happy conclusion. I say a heartfelt ‘Thank you’ to David Jackson, Dorie Jackson, John Ellis, Robert Pettigrew, Helen Lunt, and Steven Hargraves.

‘Four Pails’, one of the two songs here that were co-written by myself and Maxwell Hutchinson, first appeared in our mountaineering musical ‘The Ascent of Wilberforce III’ at the Traverse Theatre, Edinburgh in 1981. The two-man-band for this production, and for a subsequent production at the Lyric Theatre, Hammersmith, was led by Robert Pettigrew, and I am delighted that he agreed to play the song again, almost exactly forty years later, for this recording, and for creating its new and wonderful arrangement for strings.

Special thanks are also due to Master of the Mix, Pat Collier; Webmaster Supreme, Steven Hargraves, and the divine Fifi Chamoix (who also puts in a special guest appearance) and to you, for buying this independent production, or any of my previous work. Your support has been vital to me over the last thirty years, morally as well as financially.

A perceptive review of the album, from respected music writer Kev Rowland can be seen here:- progressor-net.blogspot.com/2022/03/judge-smith-2022-old-man-in-hurry.html

credits

released January 20, 2022

All songs, words and music by Judge Smith except where noted.
Featuring:-
DAVID JACKSON - Whistles, Flutes and Saxophones
JOHN ELLIS - Guitars
STEVEN HARGRAVES - Guitars
ROBERT PETTIGREW - Piano
HELEN LUNT - Cello
DORIE JACKSON - Vocals
Mixed by Pat Collier at Perry Vale Studios.
Graphic Design by Steven Hargraves
Black & White Portrait Photography by John Ellis
Musicians’ Photographs: John Ellis by John Ellis , David Jackson by Renzo de Grand. Dorie Jackson by Dorie Jackson. Helen Lunt by Andrew King. Robert Pettigrew by Robert Pettigrew. Steven Hargraves by Ballpein.

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JUDGE SMITH Glastonbury, UK

Judge Smith co-founded the band Van der Graaf Generator in 1967 with Peter Hammill, & has since been involved in many music projects as writer, composer or performer. He has written stage musicals, classical & rock libretti, songs for television & a book on Life after Death; directed a prize-winning short film, & released fourteen CDs & two DVDs. He was born in 1948 & lives near Glastonbury, UK. ... more

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